The Houston Zoo March 2016

The Houston Zoo March 2016

I have been part of the Katy Photography Meetup for about five years now.  We occasionally do fun outings such as this group Houston Zoo trip where users can practice with their cameras, ask for help and meet other photographers from the Katy area.  This Houston Zoo event was designated our beginners group, so I decided to use this time to assist others and also play with one of the lenses I do not normally use, a 1976 Reflex-Nikkor F/11 1000mm with manual focus and no image stabilization.  It was a major pain and I fought with it all day!

This “Reflex-Nikkor” lens is known for… “donut bokeh”.  To understand what this means, you need to know that “bokeh” is.  Bokeh is the aesthetic quality of the blur produced in the out-of-focus parts of an image produced by a lens.   Basically bokeh is the “pretty” blurry background behind a subject.  The use of it is supposed to make the subject pop!

Sample of normal “pretty” bokeh that makes you focus on the subject.

Dan Collins Headshots in Katy Texas

Donut bokeh is also blurry, but blurry in a bad way.  It creates circles (resemble donuts) that cause your attention to focus on it rather than the subject.

Here is an out of focus picture of nothing, but showing the donut bokeh.  Your eye will focus on the circular donuts in the photo and will distract you from the main subject.

The Houston Zoo March 2016

Here are three photos from the Zoo event that show this pretty well.

The Houston Zoo March 2016

The Houston Zoo March 2016

The Houston Zoo March 2016

I do not recommend this lens to anyone other than if you want to challenge yourself.

Altogether, I was surprised to get this many keepers.

The Houston Zoo March 2016 The Houston Zoo March 2016 The Houston Zoo March 2016  The Houston Zoo March 2016 The Houston Zoo March 2016 The Houston Zoo March 2016 The Houston Zoo March 2016

Thanks everyone who attended, it was a great time!

How to photograph a car with a harsh sun and yet have no harsh reflections

Good morning!
A few weeks ago we posted a car shoot of a R8 and a little girl.  We were limited on locations to shoot due to not wanting to drive the car too far (required race gas and wasn’t the best in stop/go daily driving.)   Our challenge was, how to take photos of two cars at 11am in Houston — one being a real car, and the other being a toy car with a 1yr old child.  We of course wouldn’t keep the child out in the heat long, so we decided to “paint” the car with light and then Photoshop it together after the shoot was over.   Here is how we did it.

Step 1, Coming prepared
You need a tripod and a remote trigger for your camera to properly “paint” a subject.  This allows your camera to stay in exactly the same position for each and every photo you take.  You also need one or more off-camera strobes.  Off-camera strobes could be either speed lights or remote triggers with powered strobes.  We did the remote triggers & powered strobes with an external power source.  We also brought a ladder just in case we needed a different angle.

howto-01-setup

Step 2, Have the car clean and then clean it again.
While we set up, he helped spot clean.  Thanks!!  (see above)

Step 3, Test shots
Take a few test shots and then preview how the composition of the image will look.  Also looking at the viewfinder/image inside your car or in a shaded area will help — looking at the viewfinder on your camera in the direct sun does not always give the best results.

Step 4, Paint the subject
With the remote shutter, move the light to a new spot.  set it down and take a photo.  Now move the light to the next spot (few feet over), and take another photo.  Repeat this until you get all the angles you want for the final product.  It helps having a mental image of what you are looking for before you start this task.  Below are a group of shots showing about 28 photos that were needed for this final photo painting.

howto-02-lighting-the-car
howto-03-multiple-shots
howto-04-28-shots

Step 5, Layer everything together in Photoshop.
Use Photoshop “Layers” and merge each individual photo together until you get the desired result.  I will not go into the Photoshop details, but just know i use a few different methods for adding and subtracting the images to and from each other.  For larger detailed photos, this process should take about 45minutes to an hour in Photoshop.  If you are doing it for the first time and are familiar with Photoshop, earmark about 2 hours since you will end up playing around a bit for what works best for you.  Below is my final result of the Samoa Orange Audi R8.

howto-05-finished-car

But wait, didn’t you say something about a child?!!  Yup, keep reading!

Step 6, Adding the child
Now that we have a pretty photo of the car by itself, we need to add the child and her mini R8.  We felt the little one would immediately start moving the mini R8, so we decided to just use one strobe for this shot.  With the camera in the exact same position on the tripod, we started taking photos of her next to the real car — so when you overlay the photos, it is as if she magically appears.

howto-06-adding-baby

Step 7, Adjusting Photo 1 and Photo 2
While the girl appears next to the shaded R8 (above), we really need the painted R8 in the photo.   So, we have to cut her and her mini R8 out and then paste her into the painted R8 image.  (we had to adjust the color/contrast on the little girls photo to match the r8 final image — same steps for the child as we did when creating the car only image.)  And finally this gives us the final product.

howto-07-baby-added

Step 8, Relax!

Thanks for checking this out!